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The Gaelic Hit Factory featuring John Spillane and Louis de Paor
by William Ramoutar
As the word got out about them, the band Nomos, formed in 1990, quickly became known as a little powerhouse of a band, driven along by the almost telepathic connection between its members - Gerry McKee on that fine Irish instrument, the bouzouki, Niall Vallely on button accordion, Vince Milne on fiddle, Frank Torpey on bodhrán, and Cork man John Spillane on guitar and vocals. After the band’s demise, the respect was greater, but John Spillane’s star reached higher and higher. Through his songwriting, he has almost reached the stature of deity, and it is little wonder. His songs have been recorded by all and sundry, most importantly Christy Moore, Pauline Scanlon, Karen Casey, Cathie Ryan……should I go on? Well, I hope you are getting the picture.
John is simply a writer of exceptionally beautiful songs. He is also a fluent Irish speaker, a gift he shares with his friend from childhood, poet Louis de Paor. Their many forays into the limelight have culminated in the release of their superb new cd . This cd is chock full of songs from the pen of Louis and John as Gaeilge (“in Irish”), but the booklet / insert is a great asset to us exiles, who have forgotten most of the language that was beaten into us as schoolchildren in Ireland. The lyrics are in Irish, and translated to English. There are poems spoken alternately in both languages which give you, if you have the courage and patience for this glorious offering, to image the tunes for yourself as living stories from present day to days long gone.
Don’t get me wrong, many of these songs will hit you straightaway, but what Spillane and de Paor are trying to get across to you, is to listen, and learn that the language is living. An Teanga Beo, “the living tongue,” we call it. If you travel across the water you will hear it, but you have to listen. Same here, to appreciate it, but the trouble is well worth it. There are no jigs and reels here - the richness of the language and the almost Séan Nós (old style of singing) interpretations of some of the tunes are what you get to understand, and you will! It’s a very safe journey! Have the nerve, and before you know it you will have a few more words to your vocabulary that are very usable and no one will know what you are saying. Éist do Bhéal comes to mind. It’s pronounced “AESHT duh VEIL,” and it means “shut your mouth”! See? Easy, ain’t it?
Honestly, though, this is just a terrific introduction to not only the language, but two very wonderful artists that have been brave enough to do something few have had the conviction to bring to fruition, and they deserve to be rewarded. And I know you will feel you have been, too, if you search this one out. The instrumentation is so well thought out, that while the Irish and English words capture your imagination, the beauty of the accompaniment is equally mesmerizing. The Gaelic Hit Factory is a grand title for this cd, and not a word of exaggeration. I think every song should be a hit.
For more details about John Spillane, please click John Spillane.
To purchase the CD on line, please click Townsend Records.
BIO William Ramoutar
IRISH WAYS RADIO PROGRAMME
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Review written by William Ramoutar Presenter of Irish Ways Radio Programme, St Augustine Florida
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Fri, Sep 27, 2024
The Galway Hooker
This unique vessel, with its distinctive curved lines and bright red sails, originated in the village of Claddagh. During the 19th century, hookers supported a significant fishing industry and also carried goods, livestock and fuel. Seán Rainey is remembered for building the last of the original boats, the Truelight, for Martin Oliver who was to become the last king of the Claddagh; as king, he was entitled to white sails on his boat. Since the mid seventies, many of the old sailing craft which were on the verge of extinction have been lovingly restored and new ones have been built. During the summer months they can be seen at festivals such a Cruinniú na mBád - the Gathering of the Boats - in Kinvara.
Click for More Culture Corner.
According to the 30 or more reviews we've read, if you own just one Irish Christmas recording, this should be it. Featuring Anthony Kearns, Ronan Tynan and John McDermott, we are treated to both solo and trio performances of a dozen or more best loved holiday airs, sung in their trade-mark Irish tenor style. As one reviewer cleverly observed, if these three sang the phone book, she'd buy it!
See Review
Click here for Home for Xmas
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